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My Songs

Acknowledge 'Country'

 

They respectfully acknowledge the past and present custodians of this beautiful land called Australia.

They acknowledge the past and present First Nations Australians and those of other descent who have worked to grow intercultural understanding and the meaning of diversity in Australia.

 

The Red Land Songs (first released in 1986) and the more recent Fire Wrapped In Stone, Wildfire Spun, Overheard by the Heart and Little Deep Wells collections celebrate bridge-building work initiated by Rev Roderick (Rod) James Cameron OSA, Rev Ron Bopf OSA, James Cornell, Maria Rosa and the Australian First Nations people (too numerous to mention!) who graciously touched our lives and ministry in many locations.

 

All songs are inspired by a warmth of spirit that have created encounters eclipsing the starkness - and sometimes attendant darkness - of cultural divides. 

'If The Dreaming dies, all human dreams grow dim' - Rod Cameron OSA

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'The Dreaming' is a translation of what is ultimately untranslatable in a few words.  It stands for the Arrernte Alcheringa, the Tjukurrpa used within a Central Australian language and other First Nations languages' equivalents.

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James Cornell’s lyrics for the album Wildfire Spun and elsewhere are based on his poetry crafted within his ‘mosaic of encounter’ with the natural world, Australia’s First Peoples, and an ever questing faith.  He wrote of the comprehensive beauty of the environing cosmos seeking to integrate it with the warmth and redeeming communion of love between human beings. He explored the unique nature of the human person - 'the archetypal artwork' - as capable of generating self and growing via spirituality.  He saw each person as a 'tessera' in a timeless mosaic.  Most aptly his work endeavoured to encapsulate ‘tesserae' of life within many diverse experiences.  

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Depth-ed within philosophical and ministry training, James Cornell writes: 'The Family of Being' is the phrase Marcel and Buber used to describe the relationship between the human being and creation.  It is a beautiful description that presents the world not as a place of alienation, but as an environing home.'

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I also acknowledge Indigenous peoples around the world alongside other people (fellow pilgrims and seekers of truth, colleagues, friends and family) who have graced my life - significantly Maori of Aotearoa New Zealand; Ojibwe I met in Chicago, Illinois, USA; people of Papua New Guinea, Fiji, Tonga, Kiribati and Samoa who have shared hospitality of spirit with me.  Many representatives of Indigenous peoples also informed me at the United Nations Permanent Forum on Indigenous Issues in New York in 2007.  Thank you for all you have taught me.

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© 2023 by Tyler Reece. Proudly created with Wix.com

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Warning to Australian Aboriginal and Torres Strait Islanders: This site contains images of and reference to people who have died and the voice of two of them.

 

Photos and videos of Rod Cameron OSA: Used with kind permission of the Augustinian Order of Australasia.

Use of sketch of little girl welcoming Rod Cameron at Bidyadanga: Permission given by Rod Cameron OSA - taken from text The Red Land published in 1972 by the Augustinian Order of Australasia. All illustrations in latter text - except for two - are by Olwen Roser

Other Photos Copyright: Maria Rosa

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All albums (except Red Land Songs) able to be downloaded from this site have been co-produced with, mixed and mastered by Brent Hodgkins at

Warrior Records, Bruthen Music Studio, Victoria, Australia.

Red Land Songs was recorded with the valuable assistance of Allan Black formerly of Black Inc, St Leonards, New South Wales.

 

Please note: Neither Rod Cameron OSA/Keis/James Cornell nor Maria Rosa are persons of Australian First Nations descent.  This site therefore does not speak for any one with Australian Indigenous lineage. Rather, as fellow Australians, we instead have worked with them to broaden understanding of their realities while living within the liminal space created when their cultures and the mainstream culture of our country meet. These songs have grown from our encounters and experience of learning from the First Australians. English is not the first language of many First Nations peoples in Australia and around the world. 

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If you wish to arrange any of the music or use it in any non-private way such as in print, online, plays, ballet, advertisements, film or TV you need the permission and a licence from the copyright owners of the musical work and sound recordings. APRA AMCOS will assist you in obtaining such a licence. This organisation's contact details are as follows: APRA AMCOS, Locked Bag 5000, Strawberry Hills, NSW 2012

 9am – 5pm, weekdays (AEST) Call: +61 2 9935 7900                                   

Email: apra@apra.com.au

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Disclaimer: All available up-to-date due care has been taken by me and due diligence acted upon to ensure  all uploads are free of viruses.  Thus no responsibility will be accepted for any viruses or other compromise to your equipment which surface any time after music has been downloaded.  M Rosa

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Deep thanks to Rod Cameron OSA, Elizabeth Macris (Sr Eleanor Mary Macris RSC, AM), Keis, and Brent Hodgkins for their affirmation of artists.

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